Amiri Baraka: Poet Laureate To the Ancestors - Requiem For a Revolutionary Brother

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By Gloria Dulan-Wilson

AMIRI BARAKA POET LAUREATE TO THE ANCESTORS

It's taken me five days to write this farewell to Amiri Baraka - longer than it's ever taken me to write anything.  It's hard not to flash back over so many memories of the heart when it comes to writing about him. And also, when you're commemorating one who is such a prodigious writer, a staunch advocate for Black people and one I choose to call friend, you want to make sure you do him justice.   

Amina and Amiri Baraka

Amiri Baraka has been a part of my life in one way or another for over 45 years – whether he knew it or not, or whether he intended to or not.  We ran in concentric circles - sometimes on the periphery, and sometimes right in the center. 

I have so many memories of Amiri that I treasure. I suppose I could write about his place in history, his political activism. His volumes of books; his poetry, his militancy, his re-shaping NewArk, NJ into an World Wide Black cultural and political mecca. But I'll save that for the newspaper articles. My thoughts and memories of Amiri Baraka are on a much more personal level. There definitely was a feeling of awe on my part for Amiri and his life mate and wife Amina.

When I first heard of Amiri Baraka, he was still LeRoi Jones – that  “quirky” fire brand artist, actor, activist, whose play, the Dutchman, was breaking records in the Black art realm. I was a kid in high school when we first started reading his works. Of course, our Oklahoma teachers would be the ones to make sure we were exposed to all our Black writers - classic and contemporary. But little did I realize that this dynamic brother would be instrumental in my getting my first job!

Having graduated from Lincoln University in April, 1967, I walked into a world that was still trying to figure out how to dodge LBJ's efforts to formulate a Great Society out of a nation that had predicated its entire ethos on walking up and down the spines of Black people, while continuing to benefit from and exploit our considerable skills. The undeclared “war” in VietNam was raging. Black men were being snatched off the streets via the draft, and college classmates were being pulled into the fracas as well.

As an activist, I helped Black people to vote for the first time in Virginia; I had sat in, kneeled in, marched, all of the things that we did when were trying to equal rights for our people in Oklahoma. But in college, I had decided I would never march or sit in again, so I had whole souled embraced the tenents of BLACK POWER, which were first enunciated to us by Stokely Carmichael at Lincoln University. I sported a natural that made Foxxy Brown, Angela Davis, and Kathleen Cleaver look bald – you could see my natural before you saw me.  But then, I was barely 99 pounds, and a lot of mouth, and definitely militant. Studying under Dr. Charles V. Hamilton, with a side of Sam Anderson and Tony Montiero to boot, I was definitely Black and Proud; especially since the book, “Black Power” was written at Lincoln U, I had plenty of time to practice my Blackness.

But, I needed to get a job, and unfortunately, those particular traits were antithetical to the proscribed persona most whites look for when selecting who to hire. I was living in Philadelphia at the time, and there was plenty going on in terms of Black consciousness. The Rev. Leon Sullivan had started the Opportunities Industrialization Center (OIC) to train Black people to start their own businesses or qualify for jobs. Playthel Benjamin was one of the most erudite of Philly's philosophers on Black pride.  Naturals were everywhere - cultural activities were the norm.  We had everything but jobs.

The Philadelphia Inquirer was full of job opportunities. So I naively responded to several of them. Everyone was very enthusiastic on the phone. But when I showed up, natural and all, the job was suddenly no longer available – or it had just been filled ten minutes before I arrived.

Such was the case when I applied for a position with the City of Philadelphia to work as a counselor to the “hard core unemployed.” I had spoken with a Mr. Neuhaus, who, after talking with me for less than five minutes, ascertained that I was just what they needed. He invited me to come down and interview with them for a position that would be jn Deputy City Manager, Richard Olanoff's office.

I dressed in my best business attire – my natural gleaming in the sun from Afro Sheen; and went to the office at 13^th and Arch Street, with resume in hand. I waited for over an hour, when finally Neuhaus came out and said the position was no longer available. To which I countered that having spoken with him the only day before, I found it difficult to believe that this was the case. He apologized, and ushered me to the door, promising to hold my resume on file for 6 months, and contact me the minute anything else suitable came up.

It was in July, 1967.   I had been job hunting for nearly four months without success. I went back home and the TV news was flashing Newark, NJ  “riot” reports.  The following day the Inquirer had a huge picture of LeRoi Jones on the front page, he had a bloodsoaked bandage around his head, anger in his eyes, and that famous gap in his teeth. A huge caption read “WHAT DOES LEROI JONES WANT???”

My best friend, Maxine Stewart and I were cracking up. We put his picture on the wall and wrote under it LeRoi Jones– Black Power in Action.

Two days later I got a call from the City of Philadelphia's Neuhaus asking me if I was still interested in the job I had applied for. It had suddenly become available again, at a slightly larger salary, with more benefits, if I could start immediately.

Of course I said yes. I started the following day. They placed my desk in the very front of the office so mine would be the first face you saw as you came in the door, as if to say “look, we have a Black person working for us. We're the good guys.”

I teased Amiri about this for years, and told him had he not been instrumental in frightening the bejeebers out of the Philadelphia racists, who were fearful of the Camden and Newark unrest crossing over into Philly; I would still have been job hunting. It was our standing joke for decades.

Memories of Amiri have had me in a reverie for the last several days. I had been praying for his complete recovery, but knew as well that if it didn't happen, it was because his mission on this side of the planet had been accomplished.  So  I felt, rather than heard, his transition. It was Thursday afternoon around two.  I was boarding a bus to somewhere.   My mind suddenly did a rewind to the story I just related you.  At the same time, my friend Barbara Killens Rivera called me – I saw her name on my cell phone. I didn't answer. I already knew what she was going to tell me: Amiri had made his transition. January 9, 2014, two days after the anniversary of Lou's passing - and I was still dealing with those memories. I've been having Amiri Baraka  memory flashbacks ever since.   

I met Amiri in person for the first time the following year when the Black Power Conference of 1968 was held in Philadelphia. I wanted to thank him for being the catalyst in getting me employed in Philly.  As it turned out  Amina, his wife, and I were the only two women with young children at the conference. Obalaji, their newborn son, and my daughter Kira Malaika, were still wearing diapers, and needed a lot of attention. Care and feeding was an issue, while at the same time trying to be a part of the event. So Amina, who was still known as Sylvia at the time, stayed at my home for part of the conference. When Obalaji was younger,  I used to tease him about changing his poopy diapers.

He had just changed his name to Imamu Amiri Baraka - amiri means "commander" and baraka means "blessing" in Swahili.  During the Black Power Conference of 1968, Amina and I confabbed on the role of the Black woman and Black mothers in terms of raising conscientious and proud Black children. I attended the women's workshop, the cultural and the educational workshops. Those were heady times, and Amiri and Ron Karenga were the fulcrum of all the activities. 

But the biggest memory was watching the way Amina and Amiri worked together. It was like a well choreographed dance between two lovers, who, while they were in a world and realm of their own, were still unselfish enough to share that love they had for each other with those in the room. You fairly soaked it up like osmosis. They set such a great example for Black man and woman hood, Black marriage and family relationships. I have always admired them. It was great being around them. They were a dynamic pair. It was clear that they were made for each other. I was so impressed with Amina and the fact that she had drawn this dynamic brother, valiant, brave, creative, charismatic - a man of letters in more ways than one. The fact that they were together, earned my instant respect and friendship. 

Amiri, Amina, Obalaji Baraka 1968

In 1968, having found myself among such Black heavy hitters as Max Stanford, of the Black United Front; Maulana Ron Karenga of US, H. Rap Brown, Stokely Carmichael, of SNCC, William “Bill” Sayles, Sam Anderson, among others, all I wanted to do is sit back and absorb the wisdom and energy, and play whatever  small part I could.  Amiri's goal was to involve regular African Americans who had been disenfranchised into the nation building process; and make Black education and Black pride a practical, liveable way of life. We began to rekindle interests in African history; the fact that we came from royalty and were descendents of the great kings and queens of Africa; and develop communalistic programs where Blacks shared responsibilities, profitabilities, etc.

Those were heady, heavy times, and Amiri was at the epicenter. There was a point when I had actually considered moving to New Ark to be part of their newly established Black cultural nationalist organization, work with the women and the educational system. But my path took me in a totally different direction. I moved to New York and became the director of student activities for the SEEK Program at City College. We had many militant students, and frequently I would bring either Amiri or the Last Poets come to address the Black and Puerto Rican student body, much to the annoyance of the white administration.

Then, in 1969 I was out of the country for the next two years – Haiti, Martinique, Guadaloupe, St. Croix, St. Kitts, St. John, St. Lucia, St. Thomas, then to California on my own African cultural nationalist odyssey.  Over the next few decades we continued to run in concentric circles - at Black cultural events in New York, New Jersey, DC or Philadelphia. The many conferences and workshops from DC to NYC.

In 1976, Lou and I were living in Altadena, California, and took a Black Music class at Pasadena City College. As it turned out, the required text books were Amiri Baraka's "Blues People" and "Black Music. "   It was one of the best classes we ever had. We had a lot of fun with it, and it gave me an even greater level of respect for Amiri. I think one of the heaviest things we got out of it was the impact of timbre on the Black idiom in music and vocality that are unmistakeable influences on how we do what we do.  For us it took Amiri out of the realm of poet and activist, and placed him squarely in the realm of educator and sage. 

When I returned to New York City in 1984, I had lost touch with what was happening in NYC and Newark.  But it never takes long to get back in the swing of things.  And they embraced me like I never left.  I remember hanging out with Amiri and Amina at a favorite East Indian Restaurant in Manhattan following the funeral services for a friend whose name escapes me. Verta Mae Grovesnor and other friends were there, and we kicked it until well into the night. 

When I was housing coordinator for the City of Jersey City, I was always running into Amiri at Newark's Penn station when he was headed one way I was headed another – we'd stop hug, exchange greetings, and keep running to our respective trains. This happened on several occasions.

The deep and abiding horror and sadness we all felt when Amiri's daughter, Shani. was found murdered; and how we wept for him, Amina and the whole family as they sat during the murder trial hearings as if being a watchdog for justice.

Sitting with him and Amina at the Harlem Book Fair;  especially the one in 2012 when Amiri and Sonia Sanchez were both honored, and wowed us with their newest work. It was like being in a special privileged place.

At the African Voices Awards Ceremony in Harlem, shortly after McGreevey rescinded the accolade of Poet Laureate that had been accorded to Amiri, we all gathered to support him. I remember writing that perhaps McGreevey had rescinded the because of pillow talk with his closet paramour.  It was a scathing article on the duplicitous manner with which he had treated Amiri; and the lack of courage of his convictions.  

Amiri stood before a packed audience and spoke of the harassment, the fact that he had been branded anti-semitic, and that they had tried to put a gag order on him to not read or recite the poem again. And there had been threats of arrests and charges of treason for his accurately pinpointing issues the meanstream media had chosen to ignore.  He related this with that great gapped-tooth smile of his, which meant that he was definitely not taking it seriously; nor was he phased by any of it.   So in front of a packed audience, after having given us the full scope of what he had endured, Amiri Baraka proceeded to read “Somebody Blew Up America!” much to our thrill and delight.  We half way expected the CIA or gestapo to come running in and grab him from the podium; but no - and as he delivered line after line, it became apparent why they did not want that poem read.  So, the full poem is at the end of this blog tribute, for those of you who either didn't read it, or don't remember it.

Newark, NJ did a five-day tribute in honor of Amiri's 75th Birthday Anniversary.  I attended three of the events where he was feted by all of NewArk -  including Jazz vespers performed by Randy Weston;  a jazz performance and salute at WISOMMM – with Danny Glover giving the keynote salute. Not only was Newark honoring their favorite native son for having lead the city through major crises; but also for having never left or abandoned the city during its darkest days; and for trying to bring Black Cultural and Political control to New Jersey's largest city.

In 2012, at the homegoing services for fellow poet/writer/activist Louis Reyes Rivera – Amiri stayed for the entire service and repast, and didn't want to leave. He said “I don't know if I said everything I needed to say to him.”  Amina remarked to me, "This is really hard for him. He's said to me 'let's go' at least seven times, but then he keeps coming back in.  I'm just going to sit until he really decides he's ready to leave." 

The Late Louis Reyes Rivera

Sitting and talking with him at the homegoing services for our dear mutual friend, Jitu Weusi, back in May of 2013 at Jitu's Jazz Club, For My Sweet.  We all gathered for the final good byes to the gentle giant who had, like Amiri, dedicated his life to Black people.  "There aren't any more like him coming through," he said to me very quietly, as we listened to jazz artists perform in tribute to his memory.

In speaking with Amiri after the tribute to Elombe Brath –a charismatic leader in his own right with whom Amiri had a long collaborative history; and another brother with whom I have had a long term friendship – the event was sponsored by New York State Senator Bill Perkins and held at the Harriet Tubman School in Harlem.  Amiri and I were  talking with Elombe's wife Nomsa –  reminiscing over all the things that had transpired from Black in the day.  Amina had performed a song specifically dedicated to Elombe, and Amiri had performed a poem in his honor.  It was the first time I noticed that he was wearing a hearing aid.  

Amiri and Amina at tribute to Elombe Brath, 2013 - Photo by Gloria Dulan-Wilson

But one of the funniest memories I had was dancing with Amiri who had just turned 75.  We were at a fund raiser for Felipe Luciano who was running for political office.  I remembered thinking that I had to be real careful with Amiri.  If something happened and he got hurt or something, Amina would never forgive me.  I was looking at him from the standpoint of being 75 years old.  And he got out there on that floor and blew me away.  He could Latin  as well as he did when he was younger!!  He moved around that dance floor in a way that it put most guys half his age to shame. It was the first time I had seen him dance since the days of the Soul Sessions in New Ark Black in the day.  He quipped, "Not bad for an old man, eh?"

There is no end when there are so many wonderful memories of this wonderful Fine Black Man.  And there are no condolences deep enough to offer to Amina and the family.  "Sorry for your loss" is trite, and definitely not true - because there is no such thing as "loss"  when you consider that the very spirit of Amiri Baraka permeates Amina and  each and every one of their children.  They are indeed mini-clones of both their father and mother, with their own special individualizations thrown in for good measure.  There are so many moments of Amiri to treasure - indelibly implanted in our psyches.  So instead of condolences, I offer congratulations because they  got to live with, be raised by, and influenced by one of the finest minds on the planet.  

And to my sister/friend Amina, his lifemate, how wonderful it is to have had the love of this great brother.  And I know it wasn't always moonlight and roses - but those thorny times were mitigated by all the other overriding blessings you two shared over the years.  I fully admit, I loved your love for each other.  In the face of all the negatives  from outside forces and sources, and the meanstream media, with the invectives and epithets, you prevailed - and did it beautifully.  My love, friendship/sisterhood and blessings go out to you and the entire family; and the city of NEW ARK.  

Now, I would have ended this with "rest in peace" - but you and I know that now that you've got John Watusi Branch, Louis Reyes Rivera, Jitu Weusi and Amiri Baraka all back together again, if things aren't right, by the time these guys get through with it, everything will be. 

Stay Blessed & 

ECLECTICALLY BLACK

Gloria Dulan-Wilson

As promised, Amiri's Poem -

Somebody Blew Up America
by Amiri Baraka

They say its some terrorist,
some barbaric
A Rab,
in Afghanistan
It wasn't our American terrorists
It wasn't the Klan or the Skin heads
Or the them that blows up nigger
Churches, or reincarnates us on Death Row
It wasn't Trent Lott
Or David Duke or Giuliani
Or Schundler, Helms retiring
It wasn't
The gonorrhea in costume
The white sheet diseases
That have murdered black people
Terrorized reason and sanity
Most of humanity, as they pleases

They say (who say?)
Who do the saying
Who is them paying
Who tell the lies
Who in disguise
Who had the slaves
Who got the bux out the Bucks

Who got fat from plantations
Who genocided Indians
Tried to waste the Black nation

Who live on Wall Street
The first plantation
Who cut your nuts off
Who rape your ma
Who lynched your pa

Who got the tar, who got the feathers
Who had the match, who set the fires
Who killed and hired
Who say they God & still be the Devil

Who the biggest only
Who the most goodest
Who do Jesus resemble

Who created everything
Who the smartest
Who the greatest
Who the richest
Who say you ugly and they the goodlookingest

Who define art
Who define science

Who made the bombs
Who made the guns

Who bought the slaves, who sold them

Who called you them names
Who say Dahmer wasn't insane

Who? Who? Who?

Who stole Puerto Rico
Who stole the Indies, the Philipines, Manhattan
Australia & The Hebrides
Who forced opium on the Chinese

Who own them buildings
Who got the money
Who think you funny
Who locked you up
Who own the papers

Who owned the slave ship

Who run the army 

Who the fake president
Who the ruler
Who the banker

Who? Who? Who?

Who own the mine
Who twist your mind
Who got bread
Who need peace
Who you think need war

Who own the oil
Who do no toil
Who own the soil
Who is not a nigger
Who is so great ain't nobody bigger

Who own this city

Who own the air
Who own the water

Who own your crib
Who rob and steal and cheat and murder
and make lies the truth
Who call you uncouth

Who live in the biggest house
Who do the biggest crime
Who go on vacation anytime

Who killed the most niggers
Who killed the most Jews
Who killed the most Italians
Who killed the most Irish
Who killed the most Africans
Who killed the most Japanese
Who killed the most Latinos

Who? Who? Who?

Who own the ocean
Who own the airplanes
Who own the malls
Who own television
Who own radio

Who own what ain't even known to be owned
Who own the owners that ain't the real owners

Who own the suburbs
Who suck the cities
Who make the laws

Who made Bush president
Who believe the confederate flag need to be flying
Who talk about democracy and be lying

Who the Beast in Revelations
Who 666
Who know who decide
Jesus get crucified

Who the Devil on the real side
Who got rich from Armenian genocide

Who the biggest terrorist
Who change the bible
Who killed the most people
Who do the most evil
Who don't worry about survival

Who have the colonies
Who stole the most land
Who rule the world
Who say they good but only do evil
Who the biggest executioner

Who? Who? Who?

Who own the oil
Who want more oil
Who told you what you think that later you find out a lie

Who? Who? Who?

Who found Bin Laden, maybe they Satan
Who pay the CIA,
Who knew the bomb was gonna blow
Who know why the terrorists
Learned to fly in Florida, San Diego

Who know why Five Israelis was filming the explosion
And cracking they sides at the notion

Who need fossil fuel when the sun ain't goin' nowhere

Who make the credit cards
Who get the biggest tax cut
Who walked out of the Conference
Against Racism
Who killed Malcolm, Kennedy & his Brother
Who killed Dr King, Who would want such a thing?
Are they linked to the murder of Lincoln?

Who invaded Grenada
Who made money from apartheid
Who keep the Irish a colony
Who overthrow Chile and Nicaragua later

Who killed David Sibeko, Chris Hani,
the same ones who killed Biko, Cabral,
Neruda, Allende, Che Guevara, Sandino,

Who killed Kabila, the ones who wasted Lumumba, Mondlane,
Betty Shabazz, Die, Princess Di, Ralph Featherstone,
Little Bobby
Who locked up Mandela, Dhoruba, Geronimo,
Assata, Mumia, Garvey, Dashiell Hammett, Alphaeus Hutton

Who killed Huey Newton, Fred Hampton,
Medgar Evers, Mikey Smith, Walter Rodney,
Was it the ones who tried to poison Fidel
Who tried to keep the Vietnamese Oppressed

Who put a price on Lenin's head

Who put the Jews in ovens,
and who helped them do it
Who said "America First"
and ok'd the yellow stars

Who killed Rosa Luxembourg, Liebneckt
Who murdered the Rosenbergs
And all the good people iced,
tortured, assassinated, vanished

Who got rich from Algeria, Libya, Haiti,
Iran, Iraq, Saudi, Kuwait, Lebanon,
Syria, Egypt, Jordan, Palestine,

Who cut off peoples hands in the Congo
Who invented Aids
Who put the germs
In the Indians' blankets
Who thought up "The Trail of Tears"

Who blew up the Maine
& started the Spanish American War
Who got Sharon back in Power
Who backed Batista, Hitler, Bilbo,
Chiang kai Chek

Who decided Affirmative Action had to go
Reconstruction, The New Deal,
The New Frontier, The Great Society,

Who do Tom Ass Clarence Work for
Who doo doo come out the Colon's mouth
Who know what kind of Skeeza is a Condoleeza
Who pay Connelly to be a wooden negro
Who give Genius Awards to Homo Locus
Subsidere
Who overthrew Nkrumah, Bishop,
Who poison Robeson,
who try to put DuBois in Jail
Who frame Rap Jamil al Amin, Who frame the Rosenbergs,
Garvey,
The Scottsboro Boys,
The Hollywood Ten

Who set the Reichstag Fire

Who knew the World Trade Center was gonna get bombed
Who told 4000 Israeli workers at the Twin Towers
To stay home that day
Why did Sharon stay away?

Who? Who? Who?

Explosion of Owl the newspaper say
The devil face cd be seen

Who make money from war
Who make dough from fear and lies
Who want the world like it is
Who want the world to be ruled by imperialism and national
oppression and terror violence, and hunger and poverty.

Who is the ruler of Hell?
Who is the most powerful

Who you know ever
Seen God?

But everybody seen
The Devil

Like an Owl exploding
In your life in your brain in your self
Like an Owl who know the devil
All night, all day if you listen, Like an Owl
Exploding in fire. We hear the questions rise
In terrible flame like the whistle of a crazy dog

Like the acid vomit of the fire of Hell
Who and Who and WHO who who
Whoooo and Whooooooooooooooooooooo! 

Copyright (c) 2001 Amiri Baraka. All Rights Reserved.

Ancestor Alert:: Louis Reyes Rivera, Donald M. Payne, Dawn Alicia Robinson Join the Ancestors

By Gloria Dulan-Wilson

This past week has been a heavy one for me. I lost three friends in four days, and I'm still reeling from the impact. And in the midst of my own angst, I am keenly aware of how much pain their own families and loved ones must be enduring at this moment. It's never easy saying good bye to someone you love, so I am taking this time to express my condolences to the families of these great friends, and to let them know that we, in the Black community, wish them comfort during these very difficult times.

My friend and soror, Brooklyn Assemblywoman Annette M. Robinson has suffered the loss of her eldest daughter, Dawn Alicia Robinson, on Sunday, March 5. Dawn was like a little sister to me in many ways. She was always sweet, comical. She spoke her mind, and had a keen eye for character. She had her mother's and brothers' backs whenever they needed anything done. I used to call her "the hostess with the most-ess" because she reigned over the barbecue and the cook outs at the Robinson family gatherings.

It's not easy writing about the passing of someone so vibrant and energetic as Dawn. We are all totally stunned by this sudden departure, without warning. It's even more difficult to see a mother as devoted and loving as Annette Robinson cope with the loss of her child. My love and condolences go out to her and the family. The comfort may be that Dawn went to keep her beloved father, Bill Robinson, company ahead of the rest of the family.

Dawn Alicia Robinson's homegoing services will be held at Bridge Street AME Church, 277 Stuyvesant Ave, at 5:00 PM. Flowers and cards, and well wishes may be sent to
Hon. Annette M. Robinson &Family;
178 Bainbridge Street,
Brooklyn, New York 11216


I am also devastated to report that our friend and brother Louis Reyes Rivera has also joined the ancestors, having made his transition on Friday, March 2. The great poet, writer, historian, educator, activist was a familiar figure throughout the Diaspora, but especially in Brooklyn, Harlem, and everywhere anything of significance in Black literature and thought was taking place.

Louis Reyes Rivera devoted his lifetime to unabashedly writing about Black and latino culture. He taught writing classes at the famed Sistas Place in Brooklyn, but was world known and loved for his love of our culture.

Louis Reyes Rivera and his lovely wife Barbara have been personal friends and associates of mine for nearly 30 years; and it's perhaps the most difficult thing to write about the passing of a friend when the wound is still so fresh. I know we all share this pain, because we all loved him for his clarity, his dedication, for the essence of what it meant to be proud to be who you are 24/7. That was Louis Reyes Rivera.
His body will lay in state at the Bell Funeral Home for viewing on Sunday, March 11, 2012 from 12:00 until 5:00PM; 536 Sterling Place, Brooklyn, NY USA. Homegoing Services will be held at Bell Funeral Home, Monday, March 12; there will be a repast at Sistas Place - 460 Nostrand Ave, later that afternoon, following the burial ceremonies.

A memorial poetry jam was held in his honor at the Brooklyn Museum, Thursday, March 8; co-hosted by Danny Simmons and Jessica Care-Moore. Some of the whose who in the hierarchy of Black performance poetry were in attendance, including Abiodun and Omar of the Last Poets, brother Ras Baraka, Liza Jessie Peterson, Kevin Powell, Willie Perdomo, Mariposa, among so many others, came out to pay tribute to this wonderful icon. Each in his or her own way imparted what they had learned from their long association with Louis Reyes Rivera, and his impact on their expression is awesome indeed. Which means that his spirit will live on in every spoken word, poem, performance piece - what a blessing!

Initially, I indicated at the beginning that there were three friends who had passed that had really knocked me for a loop. This third friend, Congressman Donald M. Payne, had been someone I had had the pleasure of knowing for over 25 years. And, like his family, friends, associates, and Co-members of the Congressional Black Caucus, I had the wind knocked out of me with the announcement of his death. Friend, he was; a true leader, devoted to his community, his constituents, to Black people the world over, especially in Africa. Don Payne took his role on the committee for Africa so to heart that he has been responsible for saving the lives of countless refugees who would otherwise have long perished had it not been for Don Payne.
I had the great good pleasure of being in his congressional district during the time I lived in Jersey City. He was one of the few elected officials that would personally return your phone call if you had an issue. Not only have we lost a great man in Congress, but Newark has lost a real leader - the first Black man to be elected to Congress from New Jersey. Not pompous, or distant - totally hands on. I have now relived mentally moments when we conversed about the educational disparities in the US and the mirror of the same problems in Africa.
Africa has lost one of its greatest advocates. They should, like us, be in mourning. At this point, his homegoing services are set for Wednesday, March 14, in Newark, NJ. Time and place have yet to be announced as of this writing.

As I always say, when my friends make their transition to the next plane of action, it must be because God the Living Spirit Almighty has determined that their work here is completed and they are needed elsewhere. However, that does not make it any less painful.

I can only say that I am so happy that I had the privilege and pleasure of knowing each one of these wonderful people and they accorded me the privilege of calling them "friend." I will miss them; but there are so many wonderful things I can reflect back on that likewise let me know they have made an indelible imprint on my heart and soul.

STAY BLESSED &
ECLECTICALLY BLACK
Gloria Dulan-Wilson

Louis Reyes Rivera: A Death In The Family

By Gloria Dulan-Wilson

You will pardon the rather somber tone of this post, but I've -we - the Black and Puerto Rican Community - have had a death in the family, and I'm having a very difficult time processing it. You may have heard about it – I'm sure my screams could be heard as far north as the Canadian Border, and clear up to Heaven - when the news of our dear brother Louis Reyes Rivera flashed across my computer screen.

Funny thing about modern technology – it has no way of breaking things to you gently; no way of having you sit down and take a deep breath so that you have some means of absorbing the shock. No, our computerized communication can be rather blunt, abrupt, in your face with bad news. And this, to me, was indeed, bad news.

Now, I know my metaphysical, philosophical friends are going to say that Louis isn't dead – his spirit is still with us. True that – but small comfort, when I'm walking through Brooklyn, or at a Jazz Concert, or at the Harlem Book Fair, or one of the many thousands of places we were likely to run across each other, and he's not there to say hi! To give me an overview; to tell me of his latest activity, or his writer's workshop (which, unfortunately I never attended. All those years of broken promises to do so – too late now).

I could go into Louis' bio, but Google, Black Fax, BlackList.net, and so many others have done more than ample jobs of doing so. In fact, I highly recommend you read all about his prodigious career, even if you think you already know everything about him. Because with Louis Reyes Rivera, you could never really know everything. That brother was always growing, evolving, creating, initiating. It was impossible to say you knew the definitive Louis Reyes Rivera – but the Rivera you knew was definitely always joined, heart and soul with his culture, his people, and his quest bring the truth through, dispel the lies, and teach others to do likewise vis a vis their writing, speaking and action.

Being a history buff, myself, I always admired the way he could cut through the propaganda and distortions, using his creativity and is poetic sensibilities in a way that the message was embedded indelibly on your mind. He truly deserved every accolade he received, and a great many more that may have passed him over under some mistaken motive to be politically correct.

It has been said that Louis Reyes Rivera was a giant in Black literature second only unto Amiri Baraka. I say those two giants, contemporaries who have dedicated their lives and their work to Black people are leaders in their own right, and can easily share equal billing. Their contributions complement each other.

I loved and admired the rare times Louis, his wife Barbara and I spent together, whether listening to some jazz great, such as Pharoah Sanders when he made his triumphant return to Brooklyn; or at the Black Writers Workshop at Medgar Evers, or at the Schomburg Library in Harlem, or just out and about. We always managed to laugh, joke, poke fun at the establishment, and maintain our ongoing mutual admiration society. For the most part, though, we kept it light hearted and up beat, not allowing the meanstream to permeate our friendship.

Poet that he was/is even his name had rhythm and rolled off the tongue with ease: Lou-is rey-yes ree-ver-ah – it was such a fun name to say, particularly when you said it with soul and sassiness. I used to tease him and tell him that he should put it to music.

His famous dad-in-law, the great John Oliver Killens, had been writer in residence at Lincoln University when I was a student, still green and wet behind the years. I always felt like I was in a privileged space at LU because these wonderful ensamples of Black greatness would come and spend time with us.

It was actually Mr. Killens who introduced me and, possibly, the rest of the world to Louis Reyes Rivera. It was almost like he was anointed from the beginning. When you got Killens' blessing, you must be something special indeed – and truly Louis was more than special. It could also have been the fact that at the time Louis was also aspiring to marry his daughter, Barbara; but beyond that, those two men, icons of Black literature, had formed a bond that lasted well beyond Killens' passing.

It is also a testament to the depth of Louis' and Barbara's capacity to love that their marriage succeeded where others have failed miserably, only to be ended by his untimely transition to the realm of the ancestors.

My condolences to Barbara and the family, and to the extended family at Sistah Place, the Jazzoets, the conscious (and unconscious) Black community – we've lost a major voice in the community. But thank goodness for the prodigious body of work that is his legacy. We can tap in to that genius at any time and clarify our consciousnesses. We have to say "thank you" to Louis Reyes Rivera for caring enough to make it happen over and over again.

I'm not saying good bye, though. It's like they say: “the song has ended, but the melody lingers on...”

Louis Reyes Rivera's legacy to us will last a lifetime.

Stay Blessed &
ECLECTICALLY BLACK
Gloria Dulan-Wilson