7.12.2020

REMEMBERING MS. BEAH RICHARDS ON HER CENTENNIAL - HAPPY BIRTHDAY DIVA

By Gloria Dulan-Wilson

Hello All:






I have so much admiration for this wonderful Actress.  I never met her, but always enjoyed watching her work.  Of course, like many, my greatest memory of her was her role in "Guess Who's Coming To Dinner?" the 1967 movie starring Sidney Portier, Spencer Tracy and Kathryn Hepburn.  To show how small the world is, I learned that my son-in-law's Grandfather, artist and sculptor Hugh Harrell, Jr., was briefly married to Ms. Richards - 1962-1966, prior to his birth. Of course the marriage between two high spirited artists never came up until I mentioned Ms. Richards role in the movie at a Harrell family gathering in Baltimore.  It was then that my son-in-law said that she was almost his grandmother.  It turns out that the couple broke up the year he was born, 1966.  When I tried to get more information, everybody clammed up.  Still don't know what transpired to drive those two apart.

Needless to say, this tribute to Ms. Richards is long overdue.  She was a wonderful character actor; but more importantly is that off screen she was as much an activist and a proud Black woman as the characters she portrayed on screen.

So, happy 100 Birthday Anniversary to the great BEAH RICHARDS!



REMEMBERING MS. BEAH RICHARDS: CENTENNIAL REVEALS HER LIFE AND  LEGACY TO BE MORE TIMELY THAN EVER 
By Dinizulu Gene Tinnie 07/06/2020

“Who?”  That is probably the first word that comes to mind for upwards of 90% of Americans reading this headline.  A select few who are of a certain age might recall Beah Richards’ Oscar-winning Best Supporting Actress role as Mrs. Prentice, the mother of Sidney Poitier’s character in the 1967 blockbuster movie “Guess Who’s Coming to Dinner.” 

However, in ways that might never have made hers a “household name,” the extraordinarily talented child who was born Beulah Elizabeth Richardson 100 years ago this year on July 12, 1920, in Vicksburg, Mississippi, would grow to become not only an acclaimed actress of screen, stage, and television, with nearly a dozen significant Hollywood movies to her credit, but also an important playwright, poet, author, and a boldly inspiring, fondly remembered  mentor to younger artists.

However, in what might be called her greatest role of all , Ms. Richards, much like her own mentor and friend the legendary Paul Robeson, did not allow stardom and show business to deter from her more compelling commitment to being a fearless and tireless, dedicated and outspoken activist for social justice and equal rights for peoples of color worldwide, and for women and workers in general. 

It was in this role that she closely followed the nationally sensational case of Willie McGee, a Black man in Mississippi accused of raping a White woman with whom he apparently had a consensual relationship,  for which he had gone through two mistrials and was going before a third jury in 1951, when Ms. Richards, reflecting on the whole history of the South where she was born and raised and which she knew only too well, penned a brilliantly insightful poem entitled “A Black Woman Speaks, of White Womanhood, of White Supremacy, and Peace,” reproduced below, which might be considered a lasting emblem of her lifelong creative genius, sincerity, courage

Space here does not allow for the full exploration of her many achievements that they deserve, but readers are strongly encouraged to research and be inspired by her remarkable life, one of so many that have mattered so deeply to the making of this country without the recognition that is due. 

The centennial of Ms. Richards’ birth on July 12 is a most appropriate occasion to give her memory that overdue recognition, perhaps with some gesture of remembrance in our homes, or mention of her name in our places of worship on that Sunday, but certainly by recognizing how acutely timely and relevant her poem is to the present time, as the attention of the world is focused on Black America’s dual plight of suffering a grossly disproportionate death rate from both the COVID-19 pandemic, and from a rash of incidents of unwarranted police brutality, as protesters and observers around the world denounce the blatantly racist Trump administration in aiding and abetting these outcomes.


The poem becomes even more timely today as a presidential election approaches and we are reminded, of the astonishing 2016 “election” of Donald Trump, in spite of having actually lost by some 3 million popular votes, due to the American technicality of the Electoral College, and the startling role of the 53% of White women who voted for a self-avowed misogynist and racist, and against the nation’s possible first female president (compared to 94% of Black women voting for Hillary Clinton).

In the wake of #MeToo, impeachment, COVID-19, and other developments in thus Year of Awakening, the world will be watching America’s White Womanhood even more closely than Ms. Richards did in 1951.

On the brighter side her legacy, we must recognize LisaGay Hamilton’s  brilliant 90-minute 2006 HBO biographical documentary “Beah: A Black Woman Speaks” (taking its title from the poem), a recent screening of which inspired a group of viewers to launch a nationwide effort to commemorate Ms. Richards, between July 12 and September 14, the 20th anniversary of her death at age 80 in 2000, with articles, programs, film showings and virtual activities at both grassroots and official levels, that will bring to light her many contributions and those of people whom she inspired.

What better way to begin our next 400 years of history in these lands than by celebrating and elevating the memory of those whom the last 400 years of history so routinely excluded, ignored, misrepresented, and denied. 

Anyone interested in additional information about Beah Richard's Centennial Celebration should
Contact: Dinizulu Gene Tinnie: 305-904-7620; dinizulu7@gmail.com 

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Ms. Richards’ classic poem follows


For my known and unknown maternal and paternal Black Women ancestors who both slaved and worked (for barely livable wages) in White folks’ homes for centuries… 
A Black Woman Speaks…
Of White Womanhood
Of White Supremacy
Of Peace
It is right that I a woman
black,
should speak of white womanhood.
My fathers
my brothers
my husbands
my sons
die for it; because of it.
And their blood chilled in electric chairs,
stopped by hangman’s noose,
cooked by lynch mobs’ fire,
spilled by white supremacist mad desire to kill for profit,
gives me that right.
I would that I could speak of white womanhood
as it will and should be
when it stands tall in full equality.
But then, womanhood will be womanhood
void of color and of class,
and all necessity for my speaking thus will be past.
Gladly past.
But now, since ‘tis deemed a thing apart
supreme,
I must in searching honesty report
how it seems to me.
White womanhood stands in bloodied skirt
and willing slavery
reaching out adulterous hand
killing mine and crushing me.
What then is this superior thing
that in order to be sustained must needs feed upon my flesh?
How came this horror to be?
Let’s look to history.
They said, the white supremacist said
that you were better than me,
that your fair brow should never know the sweat of slavery.
They lied.
White womanhood too is enslaved,
the difference is degree.
They brought me here in chains.
They brought you here willing slaves to man.
You, shiploads of women each filled with hope
that she might win with ruby lip and saucy curl
and bright and flashing eye
him to wife who had the largest tender.
Remember?
And they sold you here even as they sold me.
My sisters, there is no room for mockery.
If they counted my teeth
they did appraise your thigh
and sold you to the highest bidder
the same as I.
And you did not fight for your right to choose
whom you would wed
but for whatever bartered price
that was the legal tender
you were sold to a stranger’s bed
in a stranger land
remember?
And you did not fight.
Mind you, I speak not mockingly
but I fought for freedom,
I’m fighting now for our unity.
We are women all,
and what wrongs you murders me
and eventually marks your grave
so we share a mutual death at the hand of tyranny.
They trapped me with the chain and gun.
They trapped you with lying tongue.
For, 'less you see that fault-
that male villainy
that robbed you of name, voice and authority,
that murderous greed that wasted you and me,
he, the white supremacist, fixed your minds with poisonous thought:
“white skin is supreme.”
and therewith bought that monstrous change
exiling you to things.
Changed all that nature had ill you wrought of gentle usefulness,
abolishing your spring.
Tore out your heart,
set your good apart from all that you could say,
think,
feel,
know to be right.
And you did not fight,
but set your minds fast on my slavery
the better to endure your own.
'Tis true
my pearls were beads of sweat
wrung from weary bodies’ pain,
instead of rings upon my hands
I wore swollen, bursting veins.
My ornaments were the whip-lash’s scar
my diamond, perhaps, a tear.
Instead of paint and powder on my face
I wore a solid mask of fear to see my blood so spilled.
And you, women seeing
spoke no protest
but cuddled down in your pink slavery
and thought somehow my wasted blood
confirmed your superiority.
Because your necklace was of gold
you did not notice that it throttled speech.
Because diamond rings bedecked your hands
you did not regret their dictated idleness.
Nor could you see that the platinum bracelets
which graced your wrists were chains
binding you fast to economic slavery.
And though you claimed your husband’s name
still could not command his fidelity.
You bore him sons.
I bore him sons.
No, not willingly.
He purchased you.
He raped me,
I fought!
But you fought neither for yourselves nor me.
Sat trapped in your superiority
and spoke no reproach.
Consoled your outrage with an added diamond brooch.
Oh, God, how great is a woman’s fear
who for a stone, a cold, cold stone
would not defend honor, love or dignity!
You bore the damning mockery of your marriage
and heaped your hate on me,
a woman too,
a slave more so.
And when your husband disowned his seed
that was my son
and sold him apart from me
you felt avenged.
Understand:
I was not your enemy in this,
I was not the source of your distress.
I was your friend, I fought.
But you would not help me fight
thinking you helped only me.
Your deceived eyes seeing only my slavery
aided your own decay.
Yes, they condemned me to death
and they condemned you to decay.
Your heart whisked away,
consumed in hate,
used up in idleness
playing yet the lady’s part
estranged to vanity.
It is justice to you to say your fear equalled your tyranny.
You were afraid to nurse your young
lest fallen breast offend your master’s sight
and he should flee to firmer loveliness.
And so you passed them, your children, on to me.
Flesh that was your flesh and blood that was your blood
drank the sustenance of life from me.
And as I gave suckle I knew I nursed my own child’s enemy.
I could have lied,
told you your child was fed till it was dead of hunger.
But I could not find the heart to kill orphaned innocence.
For as it fed, it smiled and burped and gurgled with content
and as for color knew no difference.
Yes, in that first while
I kept your sons and daughters alive.
But when they grew strong in blood and bone
that was of my milk
you
taught them to hate me.
Put your decay in their hearts and upon their lips
so that strength that was of myself
turned and spat upon me,
despoiled my daughters, and killed my sons.
You know I speak true.
Though this is not true for all of you.
When I bestirred myself for freedom
and brave Harriet led the way
some of you found heart and played a part
in aiding my escape.
And when I made my big push for freedom
your sons fought at my sons’ side,
Your husbands and brothers too fell in that battle
when Crispus Attucks died.
It’s unfortunate that you acted not in the way of justice
but to preserve the Union
and for dear sweet pity’s sake;
Else how came it to be with me as it is today?
You abhorred slavery
yet loathed equality.
I would that the poor among you could have seen
through the scheme
and joined hands with me.
Then, we being the majority, could long ago have rescued
our wasted lives.
But no.
The rich, becoming richer, could be content
while yet the poor had only the pretense of superiority
and sought through murderous brutality
to convince themselves that what was false was true.
So with KKK and fiery cross
and bloodied appetites
set about to prove that “white is right”
forgetting their poverty.
Thus the white supremacist used your skins
to perpetuate slavery.
And woe to me.
Woe to Willie McGee.
Woe to the seven men of Martinsville.
And woe to you.
It was no mistake that your naked body on an Esquire calendar
announced the date, May Eighth.
This is your fate if you do not wake to fight.
They will use your naked bodies to sell their wares
though it be hate, Coca Cola or rape.
When a white mother disdained to teach her children
this doctrine of hate,
but taught them instead of peace
and respect for all men’s dignity
the courts of law did legislate
that they be taken from her
and sent to another state.
To make a Troy Hawkins of the little girl
and a killer of the little boy!
No, it was not for the womanhood of this mother
that Willie McGee died
but for a depraved, enslaved, adulterous woman
whose lustful demands denied,
lied and killed what she could not possess.
Only three months before another such woman lied
and seven black men shuddered and gave up their lives.
These women were upheld in these bloody deeds
by the president of this nation,
thus putting the official seal on the fate
of white womanhood within these United States.
This is what they plan for you.
This is the depravity they would reduce you to.
Death for me
and worse than death for you.
What will you do?
Will you fight with me?
White supremacy is your enemy and mine.
So be careful when you talk with me.
Remind me not of my slavery, I know it well
but rather tell me of your own.
Remember, you have never known me.
You’ve been busy seeing me
as white supremacist would have me be,
and I will be myself.
Free!
My aim is full equality.
I would usurp their plan!
Justice
peace
and plenty
for every man, woman and child
who walks the earth.
This is my fight!
If you will fight with me then take my hand
and the hand of Rosa Ingram, and Rosalee McGee,
and as we set about our plan
let our wholehearted fight be:
PEACE IN A WORLD WHERE THERE IS EQUALITY.
by Beah Richards  1951
NOW THAT YOU KNOW

WHAT ARE YOU GOING TO DO 

ABOUT IT?
Stay Blessed &
ECLECTICALLY BLACK
Gloria Dulan-Wilson







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