I
am so proud of my New York Brothers and Sisters for commemorating the
tragedy and travesty that was Greenwood, Oklahoma, also known as BLACK
WALL STREET. As an Oklahoman, I am well aware of the building ire that
has grown ever since the PBS documentary about Black Wall Street. I was
impressed because so many of our brothers and sisters, who had doubted
that Black people even existed in Oklahoma, immediately resonated to the
series of events. Especially brother/friend, Michael Green, who
immediately wrote a play about it in the 80s, and continued to present
it over the next three decades - regardless of who came to see it.
Now we have a critical mass, because time has caught up with the victims and perpetrators.
I
am sending a copy of this flyer to my Black Oklahoma Homies! They will
be so happy to know that Brothers and Sisters in Harlem are with them
in solidarity.
This is a link to the article I posted on Green Wood, Oklahoma. Please also read at your leisure.
They did it and hid it, but truth crushed to earth will rise again. And
always remember one main thing: Black people in Oklahoma had guns and
fought back - they did not duck and run; the bomb was dropped because
the caucasoids were losing the fight.
I am proud of my brothers and sisters in Oklahoma and Harlem, USA
Stay Blessed &
ECLECTICALLY BLACK
Gloria DULAN-Wilson
SHADES OF TRUTH THEATRE
VOZA RIVERS/NEW HERITAGE THEATRE GROUP
AND
THE ROBEY THEATRE COMPANY
PRESENT
HARLEM'S 1ST ANNUAL
BLACK WALL STREET FESTIVAL
PREMIERING
TUESDAY JUNE 1, 2021
QUEENS PUBLIC LIBRARY
In
June 1921, a series of events nearly destroyed the entire Greenwood
area of Tulsa Oklahoma. Built on what had formerly been Indian
Territory, the community grew and flourished as a Black economic and
cultural mecca—until May 31, 1921
when a white mob began a rampage through some 35 square blocks,
decimating the community. Armed rioters, many deputized by local police,
looted and burned down businesses, homes, schools, churches, a
hospital, hotel, public library, newspaper offices and more. While the
official death toll of the Tulsa race massacre was 36, historians
estimate it may have been as high as 300. As many as 10,000 people were
left homeless. The incident stands as one most horrific acts of racial
violence, and domestic terrorism, ever committed on American soil.
FEATURING 3 SHORT PLAYS
The Plan
Written & Directed by Michael Green
Double V (The Magnificent Dunbar Hotel)
Written by Levy Lee Simon & Directed by Ben Guillory
Hope all is well and that you are enjoying this wonderful season of Spring and renewal.
You know I am always happy to share good news about a friend or someone in our community, and I am over the moon about my brother friend, Jamal Joseph, whose book, "PANTHER BABY," has been selected to be a CBS TV series. Absolutely AWESOME!!!
Jamal is the consummate all around genius - writer, producer, artist, child development specialist. His IMPACT Repertory Theatre has transformed the life of many a child who needed the proper guidance to display his or her talent, into a major individual tour de force. They have toured all over the world, and have been nominated for an Oscar for "RAISE IT UP" with Jamia Nash, in 2007.
It's clear that Jamal has always been devoted to Black people, and through enhancing all our talents and capacities. Starting at such a young age, his awareness and commitment led him away from negative gang and street activities to becoming a member of the Black Panthers. I truly hope CBS allows him to display the story to its fullest.
Jamal was my writing mentor during my days at the Harlem Screen Writer's guild, and often mentioned he was in the process of penning the Autobiography. When he finally completed it, he as also in the middle of putting together a tour for IMPACT, among other things. I have so much admiration for his and Voza Rivers drive, energy, dedication and activism and the fact that these two empower themselves, each other, and so many of us around them.
Make sure you watch out for, and support PANTHER BABY when it comes out. In fact, get the book in advance of the movie - it's well worth the read. And most definitely support the series when it comes out.
My congrats to Jamal for yet another milestone.
Stay Blessed &
ECLECTICALLY BLACK
Gloria DULAN-Wilson
"PANTHER BABY" SLATED FOR NEW TV SERIES
Dear Family, Friends and Supporters,
New Heritage Theatre Group is very proud to announce that its Senior Executive Artistic Director, Jamal Joseph's book "Panther Baby" has been selected by
CBS to become a TV Series.
Writer, Director, Producer, Poet, Activist ,OSCAR nominee and Professor of Professional Practice at Columbia University School of the Arts in the Film Department Jamal is also an a co-founder of IMPACT Repertory Theatre. and heads up New Heritage's Film Division, New Heritage Films.
As a teenager Jamal Joseph wasincarcerated for his active participation in the New York Chapter of the Black Panther Party. Upon his release from prison he was introduced to Clarence B. Jones (former personal attorney to Dr. Martin Luther King, Jr.) Voza Rivers and Lainie Cooke who had recently formed Greenlight Films. Greenlight optioned Jamal's script Liberated Territory about his experiences as a young Black Panther . In 2012 Liberated Territory became part of the source material for Jamal's celebrated book Panther Baby.
Last week CBS announced Jamal Joseph’s gripping memoir "Panther Baby" will be adapted as a TV series with Gina Prince-Bythewood directing and The Queen’s Gambit‘s Scott Frank, Timberman/Beverly and Reggie Rock Bythewood producing.
The friendship between Jamal, the Bythewoods and Scott Frank is a treasured one . Jamal met Scott Frank at a session spent at Sudance. Jamal and Reggie Rock Byethewood met at the home of legendary fellow activist Yuri Kochimaya when Jamal was first released from prison. They have been friends ever since. The Byethewoods and Scott Frank have been constant supporters of Jamal's work including being donors to IMPACT Repertory Theatre the youth arm of New Heritage Theatre Group
Jamal and Voza, along with Joyce Joseph, Courtney Bennet and Alice Arlen began IMPACT REPERTORY THEATRE
in 1997 as the youth and empowerment program at New Heritage. Over the last 20 plus years, the IMPACT program has received many honors and has seen its members attend college, become professionals in many fields and also come back to run the program.
Over the years IMPACT has been honored by the support of many Below Harry Belafonte and the IMPACT members and Janet Jackson performing with IMPACT during HARLEM WEEK
By Gloria Dulan-Wilson Hello All - Konichi wa! My Brother/Friend, Producer extraordinaire, Voza Rivers, has assembled a spectacular production for you that you definitely won't want to miss, this Friday, October 25, at the Joseph P. Kennedy Center in Harlem.
Toward the end of the Second World War,
Masato (a mechanic of Japanese Speacial Attack Units in Kagoshima,
Japan) and Hikaru, an American Japanese kamikaze pilot of Japanese
Special Attack Units in Kagoshima, Japan) are close friends and happen
to hear the radio pick up weird wave. The radio show talks about the
terrorism attack on NY, Japanese baseball players playing for Major
League Baseball teams, and the fact that terrorism is called "kamikaze,"
etc.
They notice that the radio show is from the
year 2019, which is the future period for them. And they learn that
Japan was defeated in the war on August 15th, 1945, and they tell the
fact to their captains but nobody believes them. Even though, Hikaru is
ordered to fly as Special Attack Units members.
Hikaru faces the dillemma as he has to
be part of fights against his mother's homeland America. The night
before Hikaru flies out, 'God of Radio' makes a smart move.
Now that you know
What are you going to do about it?
Make your reservations now!
Arigato
Stay Blessed &
ECLECTICALLY BLACK
Gloria
s
Voza Rivers, Executive Producer, New Heritage Theatre Group
Voza Rivers w Comedienne Phyllis Stickney Looking On Thanks New Federal Theatre for the Honor
By Gloria Dulan-Wilson
There are so many days when I am glad to be me, and Sunday, March 16 was definitely one of those days. Not only did I get the opportunity to cover the 44th Anniversary of Woodie King's New Federal Theatre (NFT), but I got to witness one of my heroes and living legends, Voza Rivers, honored and feted in a way that was, to my mind, long overdue.
It was like old home week with so many stars, writers, producers, directors coming out to be a part of the festivities - Black royalty of the stage, screen and television all gathering together - it was like homecoming - only much more elegant. The program was held
at the BMCC Tribeca Performing Arts Center.
What a wonderful way to tell a brother who has "labored in the vineyard" and produced much fruit for his efforts, "I Love You," than to bring together his peers and an adoring, grateful audience. And who is more deserving that Voza Rivers, whom I've known now for 30+ years, but is not widely known by those outside the entertainment realm.
Actually, to many Voza on the surface, appears to be a very quiet, non assuming character. "Cool as a cucumber," my mother would say. But make no mistake, he's as powerful as they come. The perfect foil for Woodie King, Jr., founder and CEO of the New Federal Theatre (NFT), whom I've likewise known for almost twice as long (friend and former neighbor), who is as ebullient, and animated as they come. The only person this evening would not appeal to would be an automaton with no feelings, emotions or sense of theatre.
This was entertainment at its best, with us celebrating each other - not the Oscars or the Emmys or the Tonys - just us -we Black folks - a real family affair. It didn't just honor these two wonderful men, and
their accomplishments, was but a living lesson in Black history as well. The works of living legends, side by side, with the spirit of their forebearers,
highlighting their best to a captivated and adoring audience. It's something that
Black children, and many adults, the world over would learn a lot from. These two are shining examples of triumph over trials and tribulations.
Now when the Black theatrical and entertainment community
salutes, fetes and shows their love for entertainment Impresario,
Voza “Vo” Rivers, and celebrates the NFT's 44th
Anniversary, which was founded in 1970 by Woodie King Jr.
of course you'd expect the who's who in Black entertainment to turn out for a gala cocktail
reception. And they did. And our favorite caterer, Norma Jean Darden did the honors. It's then that you know that they are not going to skimp on the entertainment - because she is caterer to the stars.
I pulled Voza aside as he was going into the theatre before the ceremony and got a special hug from him, and whispered in his ear that it was about time people knew how great he was. "Your superman cover has been blown, and you can no longer walk around incognito - people have to know that greatness and Voza Rivers are synonymous."
The evening got off to a grand start with Cliff Frazier, NFT Board Member making the initial greetings. Of course, as he was introducing Co-hosts Debbi Morgan and Danny Glover, things begin to take on a different feeling. It had started off quietly dignified, with Cliff setting the tone, as is his nature, of proper decorum.
Co-Host Debbi Morgan
As Glover and Morgan stepped up to their respective podiums, pandemonium broke out in none other than the personage of Robert Townsend - who, apparently, didn't realize that he was not supposed to be on stage until after Danny Glover had done his initial greeting and left for the airport to fly somewhere for something important - we never did find out what that was.
Co-Host Danny Glover
When Robert Townsend suddenly appeared at Danny Glover's podium to
also co-host the show, after being informed that he was not to come
out until Danny had actually made
his exit, Townsend appeared to be comically confused as he walked
back and forth - in a combination perplexed Groucho Marx/Woody Allen
fashion - trying to decided whether or not he should leave or just
hang around on stage, until Danny actually left. And this comical
charade kept up for the first portion of the program, keeping the
entire audience in stitches – which, by the way, is the hallmark of
Robert Townsend, the consummate comedian. Glover eventually made his exit, making it possible for Townsend to
“settle down” into his role as co-host of the evenings festivities.
Robert Townsend Rushing Danny Glover off the stage with a farewell hug
The opening filmography depicted the life of Voza
Rivers, giving the highlights of his accomplishments. For those who are unfamiliar with his bio, Voza started in 1964, at age 19 working with the late,
great Roger Furman, founder of the Roger Furman Theatre in Harlem. He did practically everything there was in the theatre, from hoisting lights, to cleaning stage to setting props, and has
steadily risen through the ranks, eventually becoming the Executive Director
of New Heritage Theatre, after Furman's death, in 1983. The New Heritage Theatre was the first ever Black production company to bring the plight of South
Africans to the stage starting with the two-person performance of
Woza Albert, featuring Mbogeni Ngema and Percy Mtwa.
In 1988 Voza's New
Heritage Theatre collaborated with South African writer/producer, Duma Ndlovu, to present the stage production of Sarafina!
in
Harlem's Aaron Davis Hall for two presentations; one for 750 Harlem
students and the second for the community. Also in 1988, he received the FEDAT (Foundation for the Extension and Development
of the American Professional Theatre, supported by the League of
American Theatres and Producers) award for his work on Sarafina!
That
same year Rivers received the United Nations Medal for Peace, also
for Sarafina!
and
in 1989, a banner year, he received a Grammy nomination, as one of
the producers of the Sarafina!
cast
album and co-produced with Lincoln Center Theater a musical concert
featuring Miriam Makeba, Hugh Masakela and the Sarafina!
cast
at Radio City Music Hall. More than any thing else,
the play helped indelibly solidify the connectedness and the plight
between African Americans and South Africans in a way no other
history lesson or lecture could ever have done.
And that was just Voza's first 25 years of being in theatre!
Voza Rivers, who is generally known for
his activities behind the scenes has partnered with so many
individuals and organizations over the past few decades, it would
take more than a ceremonial program or a filmographical salute to
truly encapsulate his impact. Though he softly goes about playing
the unassuming man behind the scenes, he is truly the foundation and
the glue that gets it started and keeps it together. Most people
recognize Voza for the ever present smile he displays and his quiet,
soft spoken manner when he is speaking with you. The epitome of
speak softly, but carry a big stick – in which case Voza's stick is
that incredible creative genius of his to come up with concepts and
them see them through to fruition. Generally speaking, if Voza's
stamp of approval is on an idea, production, concept, collaboration –
it will not fail, and will be an inordinate success.
Congressman Charles
Rangel, presented Voza with a Congressional Proclamation in his behalf, showing that Sunday March 16, 2014 was now in the
Congressional Record. Of course while all this was transpiring, Robert Townsend was behind the Congressman exaggerating his gestures.
Charles Rangel, Voza Rivers, Robert Townsend
The presentation was followed by a Citation from the City Council of
the City of New York, presented by Inez Dickens, who was likewise mimicked by Townsend. Try as she might, she couldn't get him to cease. The audience was cracking up. Finally, Manhattan
Borough President Gale Brewer, who had no award to present wanted to
"acknowledge what a wonderful influence and impact Voza Rivers has
had, and continues to have in the City of New York." As each presenter was being mimicked by Townsend, the audience was in an uproar.
Townsend then decided that while all the
presentations were being made, Woodie King, Jr. might just as well
come to the stage and receive his as well.. King, who had been sitting
in the back of the auditorium surveying the entire scenario, and had
had no intentions of being part of the melee, was coaxed into coming
up front to receive his accolades, as well. Also present and part of the photo opportunities, was awards designer, and acclaimed Black artist
Otto Neals.
L-R: Jamal Joseph, Andre Robinson, Robert Townsend, Phyllis Stickney, Voza Rivers Holding NFT Award, Valerie Graves, Gala Producer, Woodie King, Jr., and Otto Neals Award Designer
However, once the photos had subsided, all the presenters, including
Congressman Rangel, as well as the recipients, were not
allowed to leave. Townsend had come up with one last duty, and
that was to be the doo-wop back up behind the music for none other
than the great Chuck Jackson! Townsend had them mimic him as he did
a few classic moves reminiscent of “The Five Heart Beats.”
Again, the audience roared with laughter.
Chuck Jackson (l) with (l-r) Cong. Charles Rangel, Jamal Joseph, Robert Townsend, Woodie King Jr. & Voza Rivers Providing Back up singing - a la The Five Heart Beats genre. Townsend is giving instructions on how to step
Artist and living legend, and still fine - I might add - Chuck
Jackson, performing his updated version of “Any Day Now,” and
looking as young and handsome as when had just started his career. The man does not age. A veteran of the music industry himself for more than 40 years, and his voice can still make you "swoon" (okay, so it's an old school word, but it still works for me). He later performed a duet with the video of Dionne Warwicke playing
in the back ground, their voices harmonizing perfectly.
Chuck Jackson Singing Updated Version of ANY DAY NOW
Stellar performances by the Oscar nominated
Impact Repertory Theatre, founded by Jamal Joseph and Voza Rivers,
was a tribute to Voza who partnered with Jamal.
Impact Repertory Theatre founded by Jamal Joseph
Jamal spoke of how, after spending
time in prison for his participation as a Black Panther, he had emerged even
more dedicated than ever to bringing truth to Black people, was given
his first break by Voza. Joseph had written a play that he
was trying to get produced. Not only did Voza like the play, but he
gave him $500.00 of his own funds to help him get stated. The impact
of that act of kindness alone has led to a lifetime of friendship and
collaboration between the two.
Both Rivers and Joseph believe that
people should speak in their own voice, and the participants of
Impact, who range in age from 6 years to young adulthood, write,
produce, rehearse and perform their own original work.
Jamal Joseph
They collaborate with
each other to ensure that each artist is given respect and succeeds
in whatever production concept they are working on. The results of
their work have been phenomenal, and was more than adequately
displayed in their stage presentations, which both opened and closed
out the ceremony. Jamal concluded with a stirring speech, when he
exhorted the audience, as well as his fellow actors and writers, “We
must tell the story of our people, their work and their
accomplishments. We cannot leave it in the hands of others to do so.
Voza thank you so much for believing in me and for the advocacy of
my work. I am because you are, and we stand tall from standing on
your shoulders.”
Lloyd Williams, President and CEO of
the Greater Harlem Uptown Chambers of Commerce and Voza Rivers
co-founded Harlem Week, which initially started out as Harlem Day, in
response to a request from the late Percy Sutton to focus on the
highlights of what was good in Harlem. The concept, which started in
1974, on the corner of 138th and Adam Clayton Powell, Jr.
Blvd (aka 7th Ave), expanded from one day, to a week, and
of course is now a month+ celebration of what makes Harlem great ,
with 109 events – from entertainment, to business, to commerce, to
the people who live and work in Harlem. His collaboration with Voza
has taken him around the world – from South America, to Africa to
Asia, and points in between. Somewhere in the midst of all the other
projects they collaborated on, Williams and Rivers managed to also
start a clothing store called Fabinacci, which was highly successful
at the time.
Duma Ndlovu
Duma Ndlovu's message had been taped
earlier for the presentation spoke of the long, and ongoing,
collaboration with Voza, which will be further enhanced by a
production they are currently working on about the Zulu nation and
their impact on South African culture and liberation. (Duma Ndlovu is another one of my own personal hero/friends - we have had many a conversation, prior to the epoch making release of Nelson Mandela from prison, as to how to liberate South Africa for their oppressors, and how to educate Black people the world over to the fact that African people all over the world have to come together as one people. Duma returned to South Africa as soon as Mandela was released to help with the development of the New South Africa.)
Great performances included an excerpt
from Debbi Morgan's one woman play, “Monkey On My Back;” and a
wonderfuly animated performance by South African/Lesotho vocalist
Tsiidi (seedee) Le Loka (who plays “Rafiki” in the Lion King).
Valerie
Simpson, of Ashford and Simpson, who performed a medly of songs in
tribute to Voza's accomplishments, invited the audience to sing along
to “Ain't no Mountain High Enough,” and “Reach Out and Touch,” - make this world a better place – which is exactly what Voza
Rivers epitomizes.
Valerie Simpson
Robert Townsend, Voza Rivers, Valerie Simpson, Woodie King. Jr.
Also on hand to round out the accolades
to both Woodie and Voza were Andre` Robinson, who directed the
evening's event. "I thought that you had skipped over my part in the video (on Voza's life); but you don't know the depth of the life of caring and sacrifices that Voza has put into caring for the Harlem Community - and actually all of New York. He actually worked for that theatre for about 7 years with no salary.
Andre Robinson, Gala Director
He convinced me to do it for five years until I wised up. And then he brought Phyllis in and I moved on." Stating that it has been an incredible journey with Voza, of more than thirty years during which they have remained friends and colleagues. Actually, it was Phyllis Stickney who brought them to the Roger Furman Theatre, according to Robinson.
*ADDENDUM: Lest we think that all these people on stage were just comedic geniuses who were doing this off the top of their heads, let me set the record straight. A celebration of any kind is only as good as the writer who puts it all together. And those accolades go to Karimah Karimah. It was her brilliant comedic wit and sense of timing that had Robert Townsend meandering all over the stage, all willy-nilly, interrupting Danny Glover, and calling the celebration a "roast" instead of a "toast" to Voza Rivers. She is to be commended for the creative genius she is. I have to renter my apologies for having not mentioned her in an earlier version of this blog - hopefully she, and my fellow writers, will forgive me - 'cause, if we don't write it, it just don't happen - Right? Write!!
Of course, Phyllis Yvonne Stickney,
comedic actress, activist, educator, writer, and one of the major
underpinnings of the New Heritage Theatre, brought her own brand of
comedy to the stage. Phyllis, who has been in collaboration, as well
as front and center, from the time Voza came to the helm of New
Heritage Theatre, has been behind the camera, in front of the camera,
a mentor to rising talent, and of course a leader in her own right.
Her booming, yet feminine, quasi-street/Caribbean voice characterizations are unmistakeable. "Voza! He was Uncle Vo, to me!" asserted the beautiful Ms. Stickney - who has her own inimical comedic style. "I just have to take it back a little bit - do y'all mind? I just have to give a little history! There was a man named Roger Furman! Amen! That was who gave us opportunity, and this man was the head and the tail of the whole thing. He was Uncle Vo to me, because every time I climbed those three flights of stairs to do 'whasonever' I was supposed to do with Roger, I knew we were going to have a full house. I knew that somewhere Ruby Dee and Ossie Davis were going to be somewhere in the house. I knew that somehow we were going to have everything that we needed. But when Roger became ill - we didn't know how ill - Andre came in and took over the reigns and we continued to grow. Before we had Impact, we had Roger. And we had you (Voza), and we had New Heritage Theatre." Phyllis shared a poem she had composed in honor of Voza, "Meaningful Magic, that's what you create!" culminating with "Thank you for all the opportunity you have given us. And I love you!"
Then she spoke of Woodie King: "The King??? Well, any Black actor that is an actor, that lives in this city, works in this city or wants to work anywhere near this city, has got to have an experience with Woodie the King. Now in 1969, Woodie King, Jr. Founded the New Federal Theatre. He has been for 44 years - count them 44 - at the helm of the New Federal Theatre. And was inducted into the American Theatre Hall of Fame." {After a glitch in the script - it does happen in live performances} - Phyllis continued, "no matter what you might think about him; no matter what you might have heard about him, he was and is integrally involved in the Black theatres in New York and Harlem.
Woodie King, Jr., founder/CEO of the New Federal Theatre Celebrates 44 Years
Voza Rivers, in expressing his
appreciation for the accolades, admitted that he actually came across
Roger Furman by “accident.” He was taking a course in public
speaking at what had been at the time the YMCA, after having been
inspired by so many Civil Rights leaders of the day, and wanting to
overcome his shyness about speaking in public. He wanted to be able
to make some contribution to the activities that were taking place
around him, and be able to address people on the issues of the day.
The first day of the class Roger Furman happened to have been the
guest speaker. He spoke of how he got started at the age of 19 in
the basement of the Countee Cullen Library – wrote their own
material, etc., wring about social issues, dealing with politics,
etc. “Jamal mentioned 1500 artivist – not artists, but artivists
– in the spirit of being what we call activists, which is
important, but also artists was well.”
He thanked his South African Group –
Duma Ndlovu, as well as Mbogeni Ngema, continuing, “Hopefully, with
the help of City College's Karen and Sharon, we'll be able to bring
the history of the Zulu Nation, which Mbogeni has just written.”
Voza, whose interests don't stop with Africa, is equally well known –
if not more so – in Japan, where, along with his corporate partner,
Katsu Abe, has been packing Japanese theatres upwards of 32,000
people with his shows, plays, musical productions for the past 30
years. In addition to the above mentioned productions, other
successes include: Township Fever, Third Rhythm, The tragedy of
Macbeth, Bailey's Cafe, Voices of Griots, The Huey P. Newton Story,
Tierno Bokar, One Good Nerve, Resurrection, Mr. Joy, and Tearing Down
the Wall.
Always planning ahead years in advance, Voza indicated, in
closing, that in honor of Shakespeare's 450th Birthday
Celebration, he would be doing a series of productions of his most
outstanding plays.
Lest I forget to mention, that no event worthy of its salt would be complete without the timely interjections of approval via playwright, artist and musician Rome Neal's sekere` - a traditional African instrument that is played at most spiritual ceremonies and rituals. As Woodie King, Jr. noted, "Sekere - Rome Neal is in the house, all is right with the world."
Rome Neal punctuated the event with his sekere` throughout the evening
Cliff Frazier, life long friend and Fine Black Man, pulled me aside after the program, obviously pleased at the entire outcome, and said: "This is exactly what I'm talking about, Gloria. We have to do more of these kinds of events. We have to be the ones to tell our own stories, and honor ourselves and each others. They (meanstream media/racist whites) are never going to do it. They don't want us to to know it. It's so important that we keep each other informed and begin to respect and honor and learn from each other. That's what's going to make the change - we have to be the change to make the change happen."
Cliff Frazier and Gloria Dulan-Wilson
I frankly love being a witness to the wonderful things Black people do. I never tire of writing about us, and bragging about us, sharing who we are, and what we've done, what we can do, and continue to do when we work together.
The theme of NFT's
44th Anniversary Celebration is “OUR HISTORY IS OUR
EQUITY.” And judging from the presentation at the Tribeca Theatre, we are truly wealthy
indeed.- GDW
Below are some credits in brief for each of the key individuals:
Voza Rivers, Affectionately known as The Impresario, Voza is the founding member of the New Heritage Repertory Theatre - and through his own effort, under the initial mentorship of Roger Furman, has emerged as a phenomenal music, film and events producer. He is considered one of the country's leading African American Theatre producers. Among his successes are: Woza Albert, Sarafina, Township Fever, Third Rhythn, The Tragedy of Macbeth, Bailey's Cafe, Rasta, Romeo & Juliet, Voices of Griots, the Huey P. Newton Story, Through the Night, Emergency, Mr. Joy - among others. First Black artist to produce a South African play in America.
Woodie King Jr., producer,
writer, director, actor, has been the progenitor of the careers of so
many wonderful actors, including but not limited to Denzel
Washington, Morgan Freeman, Debbie Allen, Phylicia Rashad, S. Epatha
Merkerson, Jackee Harry, Laurence Fishburne, Dick Anthony Williams,
Taurean Blacque, Debbie Morgan, Robert Downey, Jr. Garrett Morris,
Lynn Whitfield, Vondie Curtis-Hall, Ruby Dee, Leslie Uggams, Samuel
L. Jackson among others – and the list is growing.
King would tried to remain on the sidelines and allow the program to
unfold as he had orchestrated it, but Townsend kept calling him to
the stage until he finally relocated himself in the front of the
auditorium.
Danny
Glover,
Image and ACE Award Winner, Emmy nominated actor, producer and
humanitarian, and heart throb,
who has been a commanding presence on screen, stage and television
for more than 25 years. Loved and respected nationally and
internationally, Danny served as a Goodwill Ambassador for the UNDP
from 1998-2004, focusing on issues of poverty, disease, and economic
development in Africa, Latin America, and the Caribbean, and
currently serves as UNICEF Ambassador. Glover co-founded Louverture
Films which produces films of historical relevance, social purpose,
commercial value and artistic integrity. Debbi
Morgan,
popularly known for her role as Angie Hubbard on “All
My Children,” where she became the first, and only thus far,
African American actress to win an Emmy for Outstanding
Supporting Actress. In 2009 Debbi received the prestigious Gracie
Award honoring women who've made enormous strides in television, and
is currently, starring her own one-woman autobiographical show “The
Monkey on My Back!” which has been playing to standing room only
audiences. Comedic actor, writer producer Robert
Townsend, who is also known as one of the "Godfathers
of the Independent Film World.” has more than 30 years in the
entertainment business, wrote and produced the popular
soul musical The
Five Heartbeats,
about 60s R&B male groups;
is also known for long running sit-com “The Parent-Hood,”
Townsend made history by being nominated for more than 30 NAACP Image
Awards for film and television.Other productions include Meteor Man, Cooley High, Hollywood Shuffle, and A Soldier's Story. Phyllis Yvonne Stickney, Actress, activist, and comedienne, is a world-class artist,
producer, director, author, motivational speaker, clothing designer,
community activist, businesswoman and surrogate mother to many. Ms.
Stickney is best known and respected for her work in film, stage,
television and comedy. Among her credits include New Jack City, Die Hard With a Vengeance, What's Love Got to Do With It?, Malcolm X, among others.
Their places in history are secured - and they continue to build even more credibility - we who are their admirers, can also become their emulators, and borrow from their principles of creativity, tenacity, generosity, enthusiasm, dedication and inculcate them into making our own marks in the world,
Stay Blessed &
ECLECTICALLY BLACK
Gloria Dulan-Wilson
www.gloriadulanwilson.blogspot.com/ECLECTICALLY BLACK NEWS
